From the mechanically regular grids of UCSD’s Eucalyptus trees, a soft translucent structure spirals into an set of 25 rooms and passageways. The material construction of the Labyrinth enables it to act as a student-operated gallery, performance theater, and informal social space.
The Labyrinth’s walls and passages manipulate and amplify the phenomenas of light, shadow, sound and space resonating within UCSD’s man-made eucalyptus landscape. The intervention injects a sense of play and wonder to a physical landscape devoid of ecological diversity and an institution devoid of social interaction.
Much of UCSD’s landscape and architecture are composed of vacant antiseptic spaces that result in a fractured, dysfunctional social body. The Labyrinth resuscitates and defines its specific space with a series of labyrinthine passages woven through the grove’s grid. It co-opts and adapts to this underlying blueprint and underscores the inherent contradictions present at its core: the creation of a man-made space that mimics one developed over centuries and the questionable failure to include diversity in the structural, landscape and social design of UCSD.
The three-dimensional arrangement of physical attributes (such as shape, height, and depth) of a land surface in a place or region. Physical features that make up the topography of an area include mountains, valleys, plains, and bodies of water. Human-made features such as roads, railroads, and landfills are also often considered part of a region’s topography.
Presented by Marko Manriquez, Shawn Yourd, and Marjory Loh in conjunction with Derek Lomas of Social Architectures.
Labyrinth manifesto and statement co-authored by Marko Manriquez and Akemi Hong.
Special thanks to Derek Lomas, Todd Pittman, UCSD Media Teaching Lab and Sixth College.
Original concept by Marko Manriquez.